This week, as part of a critters critique, I passed on some comments I’ve received from many critters and from a few professionals as well: don’t use semi-colons in fiction. Per critters guidelines, I didn’t present it as a rule, more as a “here’s what response I get when use them.”
You see, I love semi-colons. They are a natural form of expression for me.
Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you’ve been to college.
Kurt was entitled to his opinions and he was no doubt on firmer ground than I am but that seems overly dismissive to me. Semi-colons have a recognized role in non-fiction. While they may not be the convention in fiction, they clearly mean “soft end of sentence, following sentence related to previous one.” Or sometimes, they are used in place of a comma between clauses if the clauses contain a lot commas for other reasons (and-lists, multiple adjectives, etc.)
After passing on my wisdom, such as it is, in my critique, I thought I’d double-check my current novel manuscript for them. Again, I’m kind of fond of them, but why buck convention? It’s a style thing that seems to rub editors the wrong way. It’s not like they are absolutely necessary (the semi-colons, not the editors).
So I fire up Scrivener and find that ‘fond’ doesn’t really begin to describe my preference for them. They were everywhere, not every scene but probably two-thirds of them, and in many scenes, multiple places. And this is after I had already made a decision to avoid them before I started my last revision. Ugh. Imagine if I hadn’t decide to purge them already 🙂
For the record, Scrivener’s global search is kind of lame: you get a folder of the scenes containing the search phrase. Within a scene, you can search for next occurrence but to go to the next scene, you need to click on it in the search results folder. Worse, if you do a ‘next’ in the search pop-up and there are no more instances in the current scene, you have to clear an annoying pop-up warning before you can do anything else.
That makes an irritating task all the more tedious because removing semi-colons is not trivial. Sometimes it is no more than replacing with a period and capitalizing the next letter, which doesn’t exactly roll off my fingers on the keyboard. But often, more substantial re-work is required to avoid the construct: turning the sentence pair into a compound sentence or even re-writing the pair entirely.
I’m about two-thirds finished after several hours. A funny thing has happened as I purge semi-colons, though. While I don’t agree with Kurt that they have no meaning, I am starting to truly appreciate why they aren’t typically used in fiction because I think my semi-colon-less prose is better than it’s predecessor. I’ve removed a few unnecessary sentences in some places. In more, I’ve reworked the sentence into something that seems more interesting to me.
Now, if I can only avoid putting them in my drafts in the first place, I’ll be all set. It’s tough: I don’t notice them any more than a comma or period these days. It’s probably a manifestation of my engineer-think.
How about you? What’s your opinion on semi-colons?